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UPDATED
ON MAY 13, 2004
ORDINARY
GIRL - THE JOURNEY - Donna Summer's autobiographical book
(written with collaboration of Marc Elliot) was released on October 7,
2003. Orders can be made in some online book sellers (like Amazon.com
and RandomHouse).
Check out below all the information I've got relating it, including: cover
picture, press release info and EVEN an excerpt
from Chapter 6 (it's HOT!).
On April
27, 2004 Universal Music released a special package titled "THE
JOURNEY - LIMITED EDITION DELUXE GIFT BOX", which contains the
book along with THE
JOURNEY CD compilation. There's no extra item on this 7500-unit
limited package. The only different thing is... the box itself, which is
very nice (see picture below). By the time I was posting this, the Gift
Box remained as a Best
Buy exclusive.
FIND
ON THIS PAGE:
BOOK
PRESS RELEASE - EXCERPTS - COVER PICS - REVIEW - BOOK SIGNING GIGS (WITH
PICTURES AND REVIEWS)
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DONNA
SUMMER: ORDINARY GIRL - THE JOURNEY
Authors: Donna Summer and Marc Elliot (collaborator)
Publisher: Villard
Date of Release: October 7, 2003
ISBN: 1400060311
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DONNA
SUMMER: THE JOURNEY (Limited
Edition Deluxe Gift Box)
Includes the book "ORDINARY GIRL - The
Journey" plus "THE
JOURNEY" CD compilation
Label: Universal Records
Date of Release: April 27, 2004
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The
following information was taken from Random House website
ORDINARY
GIRL - THE JOURNEY
ABOUT
THIS BOOK
Ordinary Girl is legendary singer-songwriter Donna Summer’s
delightfully candid memoir about her journey from singing in a Boston
church to her unexpected reign as the Queen of Disco—and the tragedy
and spiritual rebirth that followed.
Donna Summer was born on New Year’s Eve in Boston. Her childhood was
filled with music. Inspired by Mahalia Jackson, she began singing in
church choirs at the age of ten. A few years later she joined a Boston
rock group, and by the end of the 1960s she was living the life of an
artist in New York City’s Greenwich Village.
Soon after, Donna left the United States to join the German cast of
Hair. She was still in her teens, a shy, ordinary girl who was
suddenly feeling the jolt of the sexual revolution. She lived in
Germany for seven and a half years, modeling, acting, falling in love,
getting married, and giving birth to a daughter. She met a producer
named Giorgio Moroder, and together they created a song called “Love
to Love You Baby.” It became one of the world’s premier disco
hits.
Donna Summer returned to America as a star, a “sex goddess” who
bore little resemblance to her own sense of who she was. She describes
what that personal transformation felt like from the white-hot center
of the disco era, and how, over the next two decades, it contributed
to a sometimes harrowing spiritual journey.
With heart and humor, Donna Summer relives the decadent days of disco
and shows how she transcended them. This is the inspiring tale of an
“ordinary girl” on an extraordinary journey.
AUTHOR BIOGRAPHY
Donna Summer is an internationally known singer-songwriter whose music
has earned five Grammy Awards, three consecutive number one platinum
albums (she is the only artist, male or female, ever to have
accomplished this), eleven gold albums, four number one singles, two
platinum singles, and twelve gold singles. Considered the voice that
ignited the disco generation, she has been an enormously popular and
enduring performer and recording artist for more than a quarter of a
century. Her website is www.drivenbythemusic.com.
Marc Eliot is the New York Times bestselling author or coauthor of
several biographies and books about popular culture, including Down
Thunder Road: The Making of Bruce Springsteen, Barry White’s Love
Unlimited, and Erin Brockovich’s Take It from Me. He divides his
time between New York and Los Angeles.
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Ever since that day in 1976 when I first laid eyes on the cover of “A Love Trilogy,” I have been enthralled with and mesmerized by the mystery of The Diva who appeared in a long white satin gown, complete with white feather boa, floating effortlessly above the earth in angel trodden clouds, a glow of knowing pleasure on her face. The fascination has ebbed and flowed throughout the years, victim of the current pop culture and sometimes the hero of the same.
When it was cool to be into disco, I was hot on the dance floor, getting down to “Bad Girls” and “MacArthur Park.” When high school pressure got to me, it was Journey in public and an 8-track of Live and More in the car while alone. The infamous 80s came next, which were riddled with the accompanying Born Again stigma and “The Rumor.” Once again, I was fleeing to the safety of The Weather Girls and Pet Shop Boys, but when “She Works Hard For The Money” was played in its extended Disconet remix version, I was out there thinking, wow, she just doesn’t stop. My passion for Donna Summer has more ups and downs than The Diva’s life itself, which is just where The Journey takes us.
I should have known when my mother clandestinely swiped my “A Love Trilogy” and played the heck out of it while she did housework. I wasn’t the only one who had caught Summer Fever, and there has been no cure for me since.
The Journey is a well-, yet simply written account of Donna Summer’s life from her own perspective. Important to remember when reading it is that this is what Donna wants to tells us, not what the tabloids, or some other unauthorized biographer has researched, derived, or interpreted as fact. Being a very private person, the author finally reveals the Donna we never knew. A Donna who is very different from the image that Casablanca Records crafted for her, different from the impression one is often left with after listening to much of her music from the Seventies, and very different from the Donna who her detractors would have us believe she is. This Donna is one who is happy, wise and full of love for life and others. The mystery and now revealed contradiction, is oddly what Neil Bogart wanted and Donna tells us all about the painstaking measures taken to preserve the media and cash machine that her talent had been turned into while signed to the Casablanca label.
Don’t expect to know every detail about every scandal. However, just about every rumor or story that has been told over the past 30 years is approached without avoidance, shame or apology. It seems from the rest of the book that this is rightfully so. It’s a relief to finally learn things like what Donna’s given name was at birth (the real one…everywhere you look there is a different version of it!), how “Love To Love You Baby” really came to be, the story of the loves in her life, what it was like to work at Casablanca Records when the entire popular music world seemed to hinge on the label’s every release, and what the story is about why this phenomenal talent hasn’t been signed to a label or turned out a new album in the past decade.
Overwhelmingly, Donna’s deep spirituality, love for her family, passion for her music, and finally the peace that she found remain constant throughout the story of a life that has been filled with what everyone only dreams of. Fame, fortune, the mingling with celebrities, and living a jet set life are besot by the rigors of grueling tours, the audacious record industry and the restraints it puts on artists in favor of receipts, and the fears and doubts of many creative people, which Donna was not immune from. Her self-esteem and self-concept needed some real help in the early years of her life from childhood until after the disco hangover had set in. She is able to find true love, both of herself, for God, and from another after some serious soul searching, which also opened the door to real confidence, independence and a further extension of her creativity into writing, painting, and crossover success as seen in her two Grammies in the 80s for “He’s A Rebel” and “Forgive Me,” both Christian themed songs.
Rather than the life in the spotlight that we have all witnessed through our CD covers and concert attendance of the past three decades, we learn what was going on inside and personally. A very intimate story is told with a leaning towards modesty and good taste. Some of the names are changed to protect the innocent, as in many autobiographies in our litigious society. What has become of us that to tell the truth must result in a lawsuit? Maybe we should think about the consequences of our actions before we commit them rather than profit from the retelling of those same deeds years later.
At 248 pages, the work is captivating, brisk reading and a page-turner. A painfully slow reader myself, one who cannot pay attention and falls asleep after about three pages, I found myself engrossed and eager to get back to the book at every possible moment. I was only wishing that it was about three times longer and went into even more details. I kept finding myself saying, “Hey, and what about…?”
Whether you are a Big Donna Fan like me, or a casually interested listener, a reader of contemporary celebrity biographies, or just looking for some decent perspective on celebrity and survival without the usual traps of drugs and drama, you should give Ordinary Girl a read. It is beautifully covered with current and past photos of Donna Summer, and contains many never before seen photos of Donna as a child, her family, and moments that we didn’t know about from her life.
Once I stopped caring what culture said I should listen to, I renewed my innate fandom of The Diva in the early nineties, and I’m glad I did, because here she comes again. Now that Donna is about the re-embark on her career with music, art, and this book, it seems only appropriate to get caught up to speed. It’s going to be another great thirty years coming up, get ready. Definitely recommended and I rate it highly.
David Thornton 10/12/2003
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EXCERPT
FROM ORDINARY GIRL'S CHAPTER 1:
Chapter 1
Sacred Rain
I have many wonderful childhood memories of growing up in an old
cobblestoned neighborhood of Boston. In my mind I can still see the
way it looked to me as a child. It was a mystical place filled with
gas lamps and beautiful foliage. There were low-slung buildings styled
in birthday-cake architecture and covered in climbing ivy, all of it
reflecting colonial times. It was like growing up in a great big
live-in diorama of the American Revolution, New England style.
I remember one haunting autumn afternoon when I was only five years
old, standing by myself in the nearby courtyard of my little redbrick
schoolhouse. All of a sudden I became acutely aware of my surroundings
for the first time. The whooshing leaves, the gentle wind, and the
uneven ground beneath my feet touched me in a profound way. The
sensation overwhelmed me, all at once bringing me closer to and yet
isolating me from everything. It was frightening to have my senses so
abruptly awakened. In that moment I realized that everything in the
schoolyard, in the streets, at home, in the world must have been
designed by someone, and that someone must be God. I was humbled to my
childish core. From that moment on I knew I wanted to be connected to
Him with all my heart and soul.
I was born LaDonna Adrian Gaines on New Year's Eve, December 31, 1948,
into a loving family with deep spiritual roots. My daddy, Andrew
Gaines, was the proverbial "son of a preacher man." He was
born in Fairfax, Alabama, where his father, Reverend Solomon Louis
Gaines, was a Christian minister of one of the biggest churches in the
little town. Grandpa Solomon died suddenly while sitting in church
when Daddy was only eight years old. Shortly thereafter, his mother,
my grandmother Eula, moved her three daughters and four sons to
Boston.
During World War II, my father fought in Germany as a sergeant in the
army. After discharge from the service, he returned to Boston, where
he took any job that was available, working as a butcher, a wallpaper
hanger, and a television repairman. During the late forties he met and
fell in love with Mary Ellen Davis, a green-eyed, curly-haired beauty
from Boston, the woman who was to become my mother.
My mother was a first-generation American, her parents having
emigrated from a small fishing village in Nova Scotia. Although I've
never quite been able to sort out the combination of ingredients, I
know my heritage is mixed, something like African, Indian, and
Dutch-Irish-all filtered down into one body: mine.
I have warm memories of my maternal grandmother, Annie Glouster, whom
we used to call Nickel-Bag Annie. Whenever she would visit she would
untie the handkerchief she'd stuffed with nickels and give each of us
kids a shiny new one-thus the nickname. (She was the inspiration for a
song I wrote years later called "Nickel-Bag Annie.") Back in
those days "nickel bag" had a sole reference-to a bag of
nickels.
My father was quite adept at fishing. It was a skill that came in
handy after he married my mother. Whenever they ran short of cash,
Daddy knew he could always bring home plenty of fresh food, enough to
feed the entire house. And there were plenty of young mouths to
feed-four, to be exact: Jeanette, the oldest; next, my brother, Ricky;
then me; and Amy, the youngest at that time. I can remember many times
when we ate fish for days at a time! No one ever complained about
eating fish. We loved it!
My parents spent most of their waking hours trying to keep a roof over
our heads. There was little time and little money for anything but the
bare necessities. We rarely took trips anywhere, except for the
occasional summer car ride to the amusement park. By and large, travel
was restricted. My entire world was confined to places I could walk or
take a bus to: school, church, the playground.
Even though we weren't dollar rich, we had something we thought was
worth a lot more-a great neighborhood filled with wonderful people.
The first few years of my life we lived in a low-income housing
project that had been built after the Second World War. All types of
people lived in our project: whites, blacks, Hawaiians, Asians, and
others. It was a rare example of ethnic diversity.
Grandma Eula lived with us in our apartment. Both of my parents
worked, so it was very convenient to have Grandma Eula around to take
care of us.
One of my fondest childhood memories is of watching my parents dance.
Mummy was very light on her feet, and let me tell you, Daddy was no
slouch either! Whenever they did the lindy hop, which was often, he
would grab my mother, fling her between his legs, roll her through,
and hoist her in the air. All the kids would gather around whenever
they danced their fast, twirling routines. Years later I wrote a song
with my sisters called "Watchin' Daddy Dance," recalling
those moments of spontaneous love that filled our home.
My mother was quite shapely and outstandingly pretty, with
extraordinary light green eyes, a shade I've never seen on anyone
else. Wow, what a face! Her great maternal instincts kept everyone
together and happy. She knew when to say yes and when to say no, and
whenever she was in doubt, she'd put all final decisions on the broad
shoulders of my daddy. If I asked her for permission to do something
she wasn't sure about, she'd subvert her own authority by saying,
"Wait until your father comes home."
Not that she couldn't be a disciplinarian when she felt that
necessity. In those days if you didn't give your children the
occasional swat on the behind, it meant you didn't love them. As the
comedian Chris Rock says, "I ain't sayin' that it was right . . .
but I understand." My mother had no compunction about throwing
the occasional hairbrush our way when we were being especially
rambunctious. Needless to say, there were a lot of broken brushes in
our house. But ultimately she loved to laugh more than anything else,
because she preferred to see the humor in life's daily routines. On
more than one occasion my ability to make her laugh saved my little
brown behind a good butt whuppin'. Luckily, Daddy rarely spanked;
however, his raised voice was even more torturous. He had a pair of
lungs that could yell loud enough to make the pots and pans rattle in
the kitchen, and that was something I dreaded even more than being
spanked.
As a child, I had an innate moral compass, which was enhanced by my
upbringing. Whenever I did something my parents would think was wrong,
I would know it long before they'd say so and feel completely awful.
I'd put myself through the dreadful anticipation of "waiting for
Daddy to come home." Believe me, that waiting was as bad for me
as the actual moment of his arrival.
When I was still a very small child my mother used to love to braid my
hair. She had extraordinarily agile fingers and could gather together
as few as four strands of hair at a time, which made for a very long
period of time that I had to sit still. You could be bald and she
could still braid your hair! The problem for me was that I didn't
really like the way I looked with my hair braided. She braided my hair
so tight it made my eyes slant. I'd see myself in the mirror afterward
and wonder who was that little girl staring back at me. Being braided
and not liking it was one source of my low self-esteem. I'm sure many
girls of color know exactly what I'm talking about and will completely
understand. The first thing I did when I became successful was to
invest in lots of fashionable wigs.
One Friday afternoon, just before sundown, I was walking home from the
playground with a couple of school friends when one of them said,
"Hey, I bet I can beat you home." I bet them they couldn't.
Without saying a word, they both took off running. At almost the same
time, I heard someone calling from a nearby building. I quickly turned
my face in the direction of the voice.
Pow!!! Smack in the forehead!!! I didn't know what hit me. I fell to
the ground. My friends were gone, having run away. At first I didn't
know where I was or who I was, for that matter. I crawled on the
ground in a circle, too stunned to even cry. I didn't feel any pain. I
was unquestionably in shock. I lay down again, but when I opened my
eyes, it was dark. The sun had gone down and I couldn't remember how
to get home. Talk about a traumatic experience for a young child!
I managed to get to my knees when I heard my brother's voice calling,
"Donna Adrian Gaines!" I felt his hand on my waist pulling
me up. "Get on my back," he said, recognizing that something
was wrong. It was then that I started to cry. I began to realize that
something bad had happened. My brother carried me into the light. I
touched my face to wipe off what I thought were tears. My brother
began to yell, "Oh my God, what happened to you!" I was
covered in blood. I had been shot above the eye with some kind of cap
gun or small-caliber gun, which had made a hole above my right eye.
My grandmother heard my brother screaming and ran out to see what had
happened. I was rushed to the emergency room, where the doctors said,
after a thorough examination, that I would recover.
Thank God for my brother. Shortly after this incident and several
others involving my siblings, my mother and father decided to look for
a safer environment for us.
When I was six years old, my parents moved us out of the proj-ects. We
moved into a gray-and-white three-family Victorian house just outside
Brookline. My parents, keenly aware that we were a black family living
in a partially integrated middle-class neighborhood, wanted to make
sure their children set a good example. We had to be neater and more
polite than all the other neighborhood kids. God forbid we did
anything vulgar. I remember getting a spanking from my father one time
for wearing red fingernail polish, because in his opinion, the only
ladies who wore that kind of adornment were hookers.
While my parents never mentioned our color as any kind of an obstacle,
we were always encouraged to do our best, and to fit seamlessly into
our community. We were never to give anyone an excuse for saying,
"See? You just can't allow them to . . ." You can fill in
the rest.
Our house at 16 Parker Hill Avenue had a huge backyard (or at least it
seemed so at the time) and more room for us to move around. My aunt
Mary and uncle George moved into the first floor with their growing
brood; our family of six (Mummy, Daddy, and now four kids) occupied
the second; and Grandma Eula lived on the third with two of our
cousins whose parents were deceased. In addition, Mummy made our house
welcome to all the neighborhood kids and wanted all of us to learn to
be kind and to share whatever we had with others.
As a result, our house was always noisy and full of life. I must say
there were many times when I was confused by it all. It was inside
that confusion and chaos that I ultimately discerned my voice.
Sometimes it seemed as if I were looking at life from underwater, a
perspective that I gleaned as an eight-year-old girl from a real
experience.
On one especially hot day during the summer, my brother, Ricky, took
all of us to Brighton Pool. Sitting on the lip of the pool with Ricky,
I asked, "How can I get to the other side?" He turned to me
and said, "The best way to go from one side of the pool to the
other is to simply walk across the bottom. The trick is to keep
jumping up and down."
I was always the type to dive into things, literally and figuratively,
regardless of whether or not I fully knew what I was getting into. I
was about to learn what people meant when they warned against getting
in over one's head!
I was only four feet eight inches at the time, and, sure enough, as I
got nearer to the middle of the pool I found myself in well over my
head. I kept jumping as Ricky had instructed; however, each time I hit
the bottom of the pool, I had more and more difficulty coming back to
the surface. I realized I was drowning and I started to panic. Just
then I saw a couple of young boys dive into the pool right over my
head. I thought they would know I was drowning if I could only grab
one of their legs. With all the strength I had left in me, I grabbed,
but water filled my lungs and I blacked out.
I have no idea how long I was unconscious, but somehow I came to and
found myself walking along the bottom of the pool toward the shallow
end. I kept walking across the bottom of the pool, no longer in a
state of panic, but rather in a state of peace. I walked until the
water receded across my face. Looking up, I opened my eyes and saw the
beautiful blue sky. My first thought was "Heaven is so beautiful.
Why was I so afraid to die?" The emergency bell rang, jerking me
back into reality. My sisters and brother jumped into the pool and
pulled me out.
To this day I think of my near drowning as a baptism. Although I had
no idea how I miraculously survived, I knew God was watching over me.
From that moment on, it was a matter of faith to me that He would
continue to watch over me and that He must have something special in
mind for me. I had no idea what the future would be, but somehow I
knew it would be something wonderful.
That year, 1956, was indeed a year of change. Nearly drowning adjusted
my sense of purpose, and I seemed endued with a new sense of
creativity. I was already into all kinds of music, especially the
gospel music that was played and sung at the Grant AME Church at 1900
Washington Street, a two-bus journey from our house. I usually didn't
take the second bus, as it was only about a ten-minute walk from
there. I enjoyed having that time for myself, singing as I walked
along to church. Often I'd struggle to reach the high notes. One day I
prayed and asked, "God, please teach me how to sing better."
I began to practice my breath control.
Copyright© 2003 by Donna Summer with Marc Eliot
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EXCERPT
FROM ORDINARY GIRL'S CHAPTER 6:
From
Chapter 6
Shortly before Christmas, Helmuth and I decided to try a trial
separation, and I went to Anna’s to get away from Helmuth and our
apartment. This offered me an opportunity to hear other voices, human
voices that, thankfully, were louder than the tormenting voices in my
own head. Gunther would drop by on occasion to visit Anna’s husband,
his best friend. We were both at home in Anna’s house, giving us the
connection that would lead us soon to common ground. I had a sense we
were fellow travelers, searching for each other. What a desperate duo
we were, perfect for each other. At least, for the time being.
Then it happened. One night, while I was there alone at Anna’s with
Mimi, having just put her to sleep, Gunther showed up unexpectedly and
we started discussing our marital problems. He recognized my high
level of anxiety and coerced me to take a couple of sips of wine. I
fell prey to Gunther’s illustrious seduction that night.
I knew in my heart and soul that I had crossed the uncrossable line. I
recognized the demise of my own moral convictions, and it shook the
very foundation of my emotional stability. What did God think of me
now? I shuddered at the idea that my eternal options were narrowing.
What would Helmuth think of me? I knew my life was transparent in
God’s eyes, but how could I continue to deceive Helmuth? Could I
trust my husband to forgive me when I couldn’t even forgive myself?
Gunther, on the other hand, flourished because of my emotional turmoil
and now wanted to possess me at any cost. He stepped up his pursuit of
me to the point of what would be described today as stalking. This,
oddly, enticed and excited me–I was drawn to his burning need as
much as he was to me.
Shortly thereafter, I went to the town of Knokke, Belgium, on a
singing engagement without Helmuth. Overcome by loneliness, I stupidly
decided to pen a steamy love letter to Gunther. I disguised myself by
signing the letter “Love, Paul.” After reading the letter, Gunther
placed it in his desk drawer, where it was found later that day by his
wife. Believing that she had discovered that his secret life was the
real reason for Gunther’s abuse and the cause of their estrangement,
she decided to take the letter with her to a local club and show it
around. It just so happened that night to be the same club where
Helmuth worked as the headwaiter.
Helmuth, drawn to all the commotion, caught a glimpse of the letter
and did a double take. The handwriting appeared disturbingly familiar
as he read the words:
Missing you deeply here in Knokke.
Love, Paul
Was this Donna’s handwriting? he wondered. The very thought made him
feel as if he’d been stabbed in the heart. He asked quietly, “Dauf
ich das im Licht sehen, bitte?” May I see it in the light, please?
Upon my return from Knokke, Helmuth confronted me. He told me he had
seen “the letter.” I knew immediately that he knew the truth, and
squirm as I might, there was no way out. I could see the pain in his
eyes as he wrestled with the concept of my being unfaithful. How could
someone he held so high stoop so low? I was completely unable to deal
with the situation. He was broken, and so was I.
Not long after, feeling I could never repair the breach of trust, I
made one of the most
difficult decisions of my life. I knew I had to leave Helmuth. Not
because of Gunther, but because of the calling I had to
pursue–because of my singing. Helmuth told me that if there was
music there in my heart, he would let me go.
Gunther stood by me during the first difficult days of my separation
from Helmuth, and whenever I started to weaken, he encouraged me to
keep my focus on my calling. This setting was perfect for Gunther, and
as the saying goes, when he was good he was very good. During this
time Gunther became my major crutch. He lavished his most sensitive,
kind, and humane qualities on me. Gunther took Mimi and me on
wonderful rides in the country and made paintings of me, but more than
anything, he stood by my side and nurtured me back to emotional
health, through the inevitable depression that goes with self-induced
failure. I was powerless to resist him, yet at the same time I was
extremely afraid of being controlled by him.
Unfortunately, when Gunther was bad, he was horrible. As I became more
secure, he became more insecure and would compensate by drinking
heavily. Because of his alcohol-fueled temper, I tried my best to keep
an emotional arm’s length from him, which made for a stormy
on-again, off-again relationship. One night Gunther and I went out to
a club with some friends. At one point I was walking across the dance
floor and a man grabbed my hand and asked if he could dance with me. I
politely declined and walked back to our table. The man from the dance
floor followed me back to the table and sat down across from me, in
Gunther’s empty seat. He asked, “Is that your drink?” “Yes,”
I said. He picked up my drink and drank right out of it! He then
reached for my hand again and tried to pull me onto the dance floor. I
said no, this time abit louder. Just then Gunther appeared. Seeing the
man harassing me, Gunther raced over to me and grabbed the guy. He
punched him, sat him down, picked him up again, punched him, sat him
down again, and then kicked his chair, which was on rollers, all the
way to the door and down the flight of stairs that led to the street.
I stared in total disbelief. Gunther was indeed a dangerous man.
I was terrified of his violent temper! I couldn’t believe what he
had done. It’s true the fellow had been out of line, but Gunther’s
reaction was completely way over the top. Somehow he avoided going to
jail, and in retrospect, that only made him worse.
Sometimes he did things I couldn’t stand. He would sleep with other
women just to try to make me jealous, but his childish behavior
didn’t faze me in the least. He’d come back, confess everything,
and say he was sorry. It didn’t matter to me. I was unaffected by
his behavior. My attitude would make him so crazy he’d go off,
drink, and get even crazier. There were times I tried to leave him,
and that’s when I learned firsthand what it felt like to be on the
receiving end of his uncontrollable violence. One night he literally
kicked the bathroom door off its frame trying to get to me.
Anothertime I came home and found him enraged over something
completely trivial. All six foot four of him slapped the five foot
eight of me around and then threw me across the room, straight into my
glass cabinet. Pieces of glass pierced my skin and scalp. I had glass
in my hair, my face, and all over my body.
When I finally could get up I called the police, who warned him to
stay away from me. Despite their warnings, he just kept coming around.
He tried to get us back together. He told everyone that “our
trouble” was really all my fault. He claimed I had become too
arrogant and full of myself, and that I had kicked him out for no
reason. In other words, he wanted everyone to think that he was the
victim!
Including me.
Even after he began to abuse me, my insecurities led me to believe
that I had destroyed my marriage because of this man and that
therefore somehow I had to stick it out. Besides that, I figured I
must have done something to provoke him. Maybe I shouldn’t have said
this, maybe I shouldn’t have done that. I started playing that head
game because as dangerous as it was to be with him, I really didn’t
want to face the alternative of “being alone.” Here we were, two
lost souls, groping at each other in mutual darkness. What a mess;
what an utterly hopeless mess.
I kept myself busy and picked up singing work wherever I could. One
day, a friend of mine told me about a producer who was looking for new
voices. Maybe he could use me. It wasn’t what I wanted, but it was a
job. I set up an appointment to meet the man.
That man turned out to be Giorgio Moroder.
--------------------------------------------------------------------------------
Excerpted from Ordinary Girl by Donna Summer with Marc Eliot Copyright©
2003 by Donna Summer with Marc Eliot. Excerpted by permission of
Villard, a division of Random House, Inc. All rights reserved. No part
of this excerpt may be reproduced or reprinted without permission in
writing from the publisher.
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BOOK
NEWS
OCTOBER 4, 2003
CHECK OUT DONNA APPEARANCES FOR BOOK
SIGNING
October
14 (7 PM) - Book signing at Barnes & Noble (6th Ave &
22nd St) in New York City.
15 (12:30 PM) Book signing at Borders (100 Broadway) in New
York City.
17 (7 PM) - Book signing at Book Soup (8818 Sunset Blvd) in
West Hollywood.
AUGUST 22
THE BOOK'S CHAPTER HEADINGS
Chapter headings:
1. Sacred Rain
2. As The Crow Flies
3. Touched By An Angel
4. Life On The Autobahn
5. Love In Vienna
6. Munich Madness
7. Love To Love You Baby
8. Stardom In America
9. Thank God It's Friday
10. Toot Toot, Beep Beep
11. Working Hard For The Money
12. The Connection
13. The Gift
14. Bringing Up Babies, And Parents Too
AUGUST
15, 2003
DONNA SUMMER TO SIGN HER UPCOMING
AUTOBIOGRAPHY IN PERSON
Coincinding with the news about the new compilation to be released
entitled "THE JOURNEY", Donna's upcoming Autobiographical
book - ORDINARY GIRL - A MEMOIR is now entitled ORDINARY GIRL - THE
JOURNEY. As previously mentioned on this site, the book is going
to be released next Fall. The big news is that Donna will be signing
her books at the Barnes & Noble Bookstore in Chelsea in Manhattan
on 14 October, 2003. Rumour has it that she'll even perform some songs
in the occasion. I think I must find a way to take my holidays and
travel to NY by then.
APRIL 26, 2003
DONNA'S BOOK "ORDINARY GIRL" NOW
AVAILABLE FOR PRE-ORDERING
THIS TIME IT'S FOR REAL! The book "Ordinary
Girl", written by Donna herself, is really going to be released.
More: The book is already available at Amazon.com for pre-ordering
(Hardcover version). The site RandomHouse.com has an eletronic version
of the book for pre-ordering too. According to their sites, the book
will be released in September with a full title that reads:
"ORDINARY GIRL: A MEMOIR". Could it be that Donna will tell
us just everything about some intriguing facts on her career? Let's
wait and see. Here's the details about the book, provided by Amazon:
Ordinary Girl: A Memoir
by Donna Summer, Marc Eliot
List Price: $24.95
Price: $17.47
Availability: This item has not yet been released. You may order it
now and we will ship it to you when it arrives.
Edition: Hardcover
Publisher: Villard Books; (September 2003)
ISBN: 1400060311
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