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Donna Summer biography book - Her Life And Music DONNA SUMMER: HER LIFE AND MUSIC

Author: Josiah Howard

Publisher: Tiny Ripple Books

Date of Release: February, 2003

SPECIAL PAGE - HERE YOU'LL FIND:

BOOK FULL REVIEWS BY SANDROCS AND RAEL
AN EXCLUSIVE INTERVIEW WITH THE AUTHOR

A REVIEW BY THE WEBMASTER SANDROCS:

DONNA SUMMER: HER LIFE AND MUSIC, the non-authorized biography by Josiah Howard, has finally been released. This 195 pages book is divided into 14 chapters, interestingly named with Donna's song titles, that have connection with the subject within ("Fairy Tale High" showcases the Diva's childhood, "Walk Away" centers in Donna's departure from Casablanca, "Breakdown" spotlights Donna's bad times in the 80's, and so on). As an appendix, there are also a text-only Discography (Singles, Albums and some compilations) and a list of some Donna TV appearances worldwide throughout her career.

As for the pictures included, there are 15 black-and-white-only of them, which are - sadly - pretty known by most of her fans (the only 2 exceptions are one of Donna and Dick Clark - from America Bandstand - and of Donna and Paul Jabara after winning the Oscar) Since Howard said to this site, back, in 2000 that it would contain several color pictures, my bet is that the new publisher chose for less B&W-only pictures due to financial reasons. 
Although mostly based on previous well-known sources (magazine interviews mainly), the book has built a valuable portrait of Donna Summer career. Also interviewed by Howard were some people who somehow had been connected to Donna in different moments of her career. Famous photographer Dagmar (from "Haare" days) and Bob Esty (arranger to "Last Dance" and other Donna hits) are some of them. 

According to Howard, Donna didn't answer to his 4 requests for an interview. That's a shame, since her unique point of view of things would help to clear some issues that this book eventually raised.

From what I've read, I would say that Howard's book isn't offensive to Donna (except for some deplorable comments like saying Donna looked like Sesame Street's Big Bird on the famous picture with Mimi on the "Live & More" album). As a whole, Howard opted for a professional, objective writing. 
On the other hand, the author excessively focused in side aspects of show business' backstage and their effects over Donna. As a result, there's the wrong impression that Donna was a sad, confused woman, who could never handle her own life, public or private.

At one point, the author says that, some troubles aside, "there were some noteworthy professional - and personal - triumphs for Donna in 1978". As we all know, 1978 was the year that Donna Summer took music business over! All her remarkable achievements in that year could never been called as simple "noteworthy triumphs".

The bad emphasis goes on in the detailed reports of recording sessions, TV appearances, etc. 
Probably, most of the things reported are real. But the point here is that there's almost nothing on the book about Donna's priceless contribution to pop music, how she paved the way for several divas that came after her, her strength as a woman and a human being, etc.

The author completely forsakes objectivity while analyzing the albums sleeves. Overly focused in racial subjects, Howard censures some of all-time most acclaimed Donna Summer sleeves, including 1979's Bad Girls, On The Radio and - most surprisingly - the superb, inventive 1989's Another Place and Time, which features Donna in a Kabuki make-up, that perfectly fits with the album's title. To the author, Donna was only trying to be... white!

On the positive side, DONNA SUMMER: HER LIFE AND MUSIC brings interesting and in-depth information on Donna's early days in Europe, her relationship with boyfriends and on her early albums as well. It's an important and valuable item for every Donna Summer fan, since it brings relevant issues for discussion and for some reflection on her amazing path through life. Now, let's wait for her own upcoming book, which, as it seems, will be out in September.

DONNA SUMMER: HER LIFE AND MUSIC
Author: JOSIAH HOWARD
Publisher: TINY RIPPLE BOOKS 
(http://www.tinyripple.com)

A REVIEW BY SITE COLLABORATOR RAEL:

While many are still awaiting their copies of Josiah Howard's "Donna Summer: Her Life and Her Music", many have by now also received their copies, I received mine about a week ago. 

I have to say that while we hardcore Summer fans know so much about our beloved queen, and many things in the book would NOT be new to us, it should be kept in mind, when read and or reviewed, that it is quite enlightening to those not as familiar with Donna and her career. 

I think Josiah did a really good job overall. Given the fact as stated on his notes, that it is the first book in 20 years to examine her life and career. A prior book written by Jim Haskins and J M Stifle that came out around 1983, was quite amateur and nowhere near the obvious effort(s) made in the writing, research and even gloss of this new book by writer and fan of Donna's, Josiah Howard. 

Particularly interesting was commentary made by Bob Esty on the recording of the "Once Upon A Time" sessions that have not been remarked and printed before. I love the comments about Donna's imagery on her album covers and although I never thought of it that way, what he says about some of the covers made me look at them and I realized "oh yeah, that's right or she does" ..lol... particularly funny was the one about "On The Radio". 

Since some have not read it, I am trying to be discreet in not giving away specific detail obviously.
For persons that specifically collect back issues of magazines or articles relating to Donna Summer, Mr. Howard has compiled a nice 'Bibliography' that gives names of the publication and dates of the publication or article. 
One of the few negatives is that the photos used are the averaged promotional ones used from various record labels, there are maybe one or two that I haven't specifically seen. 

Also left out in detail was much about Donna's relationship with Paul Jabara, amidst many rumors we have heard that surfaced about Donna harassing Jabara in his illness and close towards his final days, over her lawsuit over her alleged homophobia. 

So does the book paint Donna negatively or positively? I think it shows a complex person, whose done what she needed to do for herself, out of self survival and who may not have always thought things out in ways perhaps she should have, or could have. Hey, she too is only human. I also think where it seems that she may be a little difficult in approaching certain things, be it through recordings or other outlets, Donna has shown such herself and has made comments that add to the validity of such difficultness. 

Thus I think the book sets out to be honest and certainly not to over-glorify Donna, yet it is written in respect to the person she seems to be, and having met her many times, I think he has captured many accuracies, but of course not all. She and no one else should feel ashamed of this book. In the end she does come out triumphing, besides it is great to now to go to a book store and bam, alphabetically there she is at last and in print. 

I wonder, will her forthcoming biography be an open and thoroughly honest portrait of herself? Time will tell.

 

AN EXCLUSIVE INTERVIEW WITH JOSIAH HOWARD - AUTHOR OF "DONNA SUMMER: HER LIFE AND MUSIC"

Check out below the interview that Josiah Howard granted to FOREVER DONNA  EXCLUSIVELY! By then, the book was scheluded for release in the Spring of 2001 with another title: "MUSIC, RUMOUR AND SALVATION". There were yet another publisher, which ended up refraining from the project. Below are the original cover artwork and the new one. In order to buy the book, you can write directly to TINY RIPPLE BOOKS through this URL: http://www.tinyripple.com . The book is also available in some major online shops, like AMAZON.COM. 

ORIGINAL COVER (2000) NEW COVER (2002)

 

FOREVER DONNA - Why did you choose to profile Donna and why now? 

HOWARD:  I’ve been a pop music fan all my life, but never really thought much about Donna Summer. I certainly knew most of her hit records, but it wasn’t until a friend gave me, a live tape of her singing “A Song For You”- sometime in the 1970’s- that I became a Donna Summer fan. She simply blew me away. I had never before stopped to consider her anything more than the former “Queen of Disco”. After playing the video over and over, I started to look for information on her music and career and was astonished to find that there was really none - incredibly, no one had ever taken a serious look at the woman or her music. I decided the time was certainly right (especially given her “comeback” in 1999) to document this amazing performer's life.

 

FOREVER DONNA: You are naming the book “Music, Rumour & Salvation”. When you set out to write about Donna, what was your main goal to accomplish with your writing?

HOWARD: My original goal was - and still is to provide music fans with a thoroughly researched account of Donna Summer’s life. I think the book has great appeal to Donna’s fans because they will now have one source of information on Donna. They can throw out all their clippings and charts. It’s all here in the book, pictures, facts, interviews and a complete American and European discography.

 

FOREVER DONNA: Two of the three topics on the title have been often controversial and often misinterpreted in regard to Donna’s career. Those 2 topics are “Rumour” and “Salvation”. On “Rumour”, things have been very quiet, Donna has made amends with the Gay Community and this was all in the past, so why write about it and bring it back to the forefront?

HOWARD: We subtitled the book “Music, Rumour & Salvation” because it sounds good! I also think that it fairly makes reference to the pivotal moments in Donna’s life and career. She is a household name because of her music – her career was unquestionably damaged by rumour- and her personal religious convictions - salvation - have shaped the way she creates her art and views the world.

 

FOREVER DONNA: Don’t you agree that by continuously bringing up the past, this rumour will never come to an end?

HOWARD: I don’t agree with those people who say that a discussion of the gay boycott of Donna’s records in the 1980’s help to keep the rumors alive. In fact, this is one of the areas in which the book provides a great service - Donna Summer: Music, Rumour & Salvation contains the final word on Donna’s troubles with her gay audience.

   

 

"Major Editors believe that Donna doesn't have enough fans to warrant publication of the book. They see her as a 'has-been'

 

FOREVER DONNA - Donna, although known all over the world, is an underrated artist, did you find it easy to get someone interested in publishing your book or did you come across many who were not interested in Donna as a topic and thought she was not worth writing about?

HOWARD:  Donna Summer: Music, Rumour & Salvation has had a most interesting journey through the publishing industry. Over fifty publishing houses (including William Morrow, Dutton and St. Martin’s Press) turned the book down. My agent and I were told, time and time again, that each of the editors who read the book thought it was “meticulously researched” and a “wonderfully, entertaining read” but no one in the publishing industry believes that Donna Summer has enough fans to warrant publication of the book. Not only is Donna viewed as a “has-been” by these bigwigs, we were told (by a very influential editor) that even if Donna writes her own book-there will be very little interest in it! North Avenue Press is a small publishing house that was formed so that Donna Summer fans could get to see this book! Without the commitment of our small staff, the book would sit in a folder at the bottom of a desk somewhere. I really think that it is important for anyone who is a Donna Summer fan to purchase a copy. This will send a message to all the big publishing houses (and music industry) that Donna Summer remains a viable force in the entertainment world.

 

FOREVER DONNA - What do you think or hope Donna’s reaction to your book will be?

HOWARD -  I’m not too concerned with Donna’s reaction to the book. I hope she thinks that she is treated fairly.

 

FOREVER DONNA - In your opinion, why did Donna refuse to be interviewed?

HOWARD - I only recently learned that Donna has changed management and that she was less-than satisfied with the services of Stan Moress. We contacted Mr. Moress on four different occasions requesting a brief interview with Donna. We even stressed that our questions would deal solely with her approach to writing music and her opinions about her entertainment career. But Mr. Moress never responded to our calls, faxes or letters. Now, given Donna’s troubles with him, I question whether she was ever told about the book.

 

FOREVER DONNA - Will she get the first copy?

HOWARD -  If I could figure out who her new manager is-she most certainly will get a copy!

 

 

'Several people didn't  want to speak about Donna, among them David Geffen and Quincy Jones'

 

FOREVER DONNA - Who are some of the people affiliated with Donna in one form or another that you interviewed?

HOWARD -  I’ve interviewed so many people that my head is still spinning... I think the last count was 118! I suppose the most informative interviews came from those who helped Donna create her art: Giorgio Moroder and Bob Esty. My interviews with Claudie Jabara (Paul Jabara’s sister) and Jeanette Fujisake (an assistant to Donna Summer’s lawyers) were also revealing. Equally important to me though, were the many interviews I did with people who did not want to see their name in print. These included interviews with former high school classmates, and officials at her high school, a former close associate who worked with Donna in the beginning half of her career, and fellow performers who have appeared onstage with Donna throughout the years. There were several high profile people who did not want to speak about Donna, among them David Geffen, Quincy Jones and Don Cornelius.

 

FOREVER DONNA - Is there anything in particular, through your research, you and perhaps the general public had no knowledge about, that is rather interesting?

HOWARD - There are many, many facts and stories that are revealed in the book for the first time. Even die-hard Donna fans are going to come away from the Donna Summer: Music, Rumour & Salvation with a better understanding of Donna, her ascent to superstardom and her temporary fall from grace. I think the making of  Once Upon A Time”, "Last Dance” and” Love To Love You Baby” are particularly revealing. So is the information about Donna’s European music & stage career, and the inner-workings of one of the 1970’s biggest record labels-Casablanca.

 

FOREVER DONNA - Will there be photographs exclusive or otherwise or will it be mostly text?

HOWARD -  Right now there are twenty pages of photos - but I am fighting to expand to thirty. I think the book should be highly visual - as Donna’s music career was heavily boosted by her exciting visual presentation. Good pictures of Donna are hard to find and there aren’t many out there. We do have several unpublished pictures though and we were very excited when we acquired the exclusive rights to publish them. My favorite picture in the book is a beautiful previously unpublished shot of Donna with Paul Jabara-holding their Oscar for “Last Dance”.

 

 

FOREVER DONNA - You started this interview by saying that you used to not care for Donna. And now, are you a Donna Summer fan?

HOWARD - I am most certainly a Donna Summer fan-and I am very proud of my presentation of the artist in the book. My agent Stacey Glick and I have learned so much from our experience with Donna Summer: Music, Rumour & Salvation. We both thought that there would be no problem at all getting a publishing deal-Donna is, after all, an international star, but the publishing industry, like very other industry, is ruled by capital-and the guarantee that they can recoup any investments they make. Nothing personal to Donna, the publishing industry simply does not believe that she is a good investment.

 

FOREVER DONNA - What were your favorite and least favorite Donna moments? And why?

HOWARD -  There are several outstanding musical highlights in Donna’s long and illustrious career. The first two things that come to mind for me are Donna’s performance of  “A Song For You” during her  1977 concert tour and her appearance at the Academy Awards singing “Papa Can You Hear Me” from the movie Yentl.  As for the low points in Donna’s career, it is my opinion that aside from “She Works Hard For The Money”, Donna has never really made any genuinely exciting music videos.

 

FOREVER DONNA - Have you ever met Donna?

HOWARD - I have never met Ms. Summer.

 

FOREVER DONNA - How do you feel about Donna’s stature currently in the music business?

HOWARD -  I think Donna is on the right path musically and am very anxious to hear her new album. There is a large dance/pop market which she should continue to exploit.

 

 

'Donna's contribution to popular music will be more appreciated in the future'

 

 

FOREVER DONNA - Have you any inside tidbits you can share about future Donna “Music”?

HOWARD -  I’ll leave tidbits about Donna’s future-to future writers. I believe that Donna Summer’s contribution to popular music will be more thoroughly appreciated in the future. Unlike so many of her contemporaries, her voice remains rich and magnificent, likewise, she seems at peace with her career and her personal life.

 

FOREVER DONNA- When will the fans and general public be able to purchase a copy of your book?

HOWARD - The book is being published in January 2001 with the first copies arriving in late May-early June 2001. There is a chance that we may get the books earlier - but I don’t want to get my hopes ups - or anyone else’s!

 

THE AUTHOR

JOSIAH HOWARD is a graduate of New York University's school of Journalism and has written articles for several magazine like Parade, Time Out, The Village Voice, Archetype, Motion Pictures Review and Music Mirror. DONNA SUMMER: HER LIFE AND MUSIC is his debut as a writer.

MPORTANT: FOREVER DONNA website and its webmaster are in no way involved with the book releasing nor associated with book's author or editor. 

 

on previous page: ORDINARY GIRL - THE JOURNEY (Book by Donna Summer and Marc Elliot)

or RETURN TO DONNA BOOKS - Main Page

 

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